PhotoLit - data bank on photographic literature

 
Book# 42936

Chipman, Alisha & Clarke, Matthew L.

A technical study of Paul Strand's platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.

Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Ort   Washington, DC
Verlag   American Institute for Conservation
Jahr   2017
Medium   Buchbeitrag
ISBN / ISSN   978-0-9978679-0-9
  @Amazon

 

Text engl. Glossary of terms. Selected Bibliography. Contributors. Index. - Nebeneintrag. - Alisha Chipman works at the Library of Congress; Matthew L. Clarke works for the National Gallery of Art, the Freer Gallery of Art and the Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC.
Photographie 20. Jahrh. Strand, Paul Konservierung und Restaurierung, conservation and restoration Platinum prints, Platinabzüge Palladium prints, Paladiumabzüge 
Other books with similar tags:
Additives used in the platinum process. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum paper tins. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Characterization, degradation, and analysis of platinum and palladium Prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum prints on the nano scale. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The surface and subsurface of a historic platinum print. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Reflective sheen in mercury-processed platinum prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The art and science of papermaking for platinum photographs. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Manufactured platinum and faux platinum papers 1880s-1920s. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum printing on textiles. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum toning of silver prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Platinum enlargements. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Nonadhesive mounting methods for photographic prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Caring for platinum and palladium prints: Storage and display. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Preservation concerns for Edward Weston’s platinum and palladium photographs. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Microfade testing. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section I: Technical Foundation.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
F. Holland Day’s platinum prints: A collaboration between conservator and curator. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Art and enlargement: The platinum prints of Thomas Eakins. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
Maurice Vidal Portman and the platinotype in India. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
The platinum print technology of the Austrian pictorialist Heinrich Kühn. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].
A great day for Palladio: Alfred Stieglitz’s palladium prints. In: McCabe, Constance (ed.): Platinum and palladium photographs. Technical history, connoisseurship, and preservation. Section II: Photographic Art and Practice.
Photographic Materials Group, American Institute for Conservation of Historic and Artistic Works. - National Gallery of Art [Washington, DC].