PhotoLit - data bank on photographic literature

 
Book# 42026

Edwards, Elizabeth

Objects of Affect: Photography Beyond the Image. In: Annual Review of Anthropology, 41, 2012.

Annual Review of Anthropology, 41, 2012.
Jahr   2012
Medium   Zeitschriftenbeitrag

 

Text engl.
Photographie 20. Jahrh. Photographiegeschichte 19. Jahrh. Theorie und Kritik 
Other books with similar tags:
Creative Photography. Aesthetic trends 1839 - 1960.
Perspectives on photography. Essays on the work of Du Camp [DuCamp], Dancer, Robinson, Stieglitz, Strand, & Smithers at the Humanities Research Center. [Introduction Roy Flukinger].
Harry Ransom Humanities Research Center, University of Texas, Austin, Tx.
Die Industrialisierung des Blicks. Zur Kultur- und Mediengeschichte der Fotografie.
Das Foto. Geschichte und Theorie der Fotografie als Grundlage eines neuen Urteils.
rororo Sachbuch; 7190.
Guida alla critica fotografica. Come guardare, capire, giudicare una fotografia.
Illuminations. Women writing on photography from the 1850s to the present.
Études photographiques. Revue semestrielle. No. 1 (november 1996) - No. 35 (printemps 2017).
Études photographiques. Revue semestrielle. Fondateur André Gunthert. Ed. Thierry Gervais.
L’immagine fotografica. Storia, estetica, ideologie. Prefazione di Italo Zannier.
Studi di arte e scienze umane; 5. Collana diretta da Alfrdo De Paz.
Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie.
Fotogeschichte. Heft 1 - Heft 130, 1981-2013. Hg. Timm Starl; später Anton Holzer.
Creative Photography. Aesthetic trends 1839 - 1960.
The history of photography: Perspectives and interpretations. In: Hallett, Michael (ed.): Rewriting photographic history. A one day conference to celebrate the 150th anniversary of the first public announcement of the invention of photography 1839-1989.
Konferenzbericht, Birmingham, Birmingham Polytechnic, 29.09.1989.
Bernard Shaw’s activist aesthetic of photography and the “new art history”. In: Hallett, Michael (ed.): Rewriting photographic history. A one day conference to celebrate the 150th anniversary of the first public announcement of the invention of photography 1839-1989.
Konferenzbericht, Birmingham, Birmingham Polytechnic, 29.09.1989.
Creative Photography. Aesthetic trends 1839-1960.
Theoriegeschichte der Photographie.
Bild und Text.
Cento anni di fotofgrafia. In: Ulisse, anno XX, vol. IX, novembre 1967.
I problemi di Ulisse; anno 20, vol 9, novembre 1967.
Peter Weiermair: Reflections on Materiality in Photographic Production – Looking Back at a Discourse; Hubertus von Amelunxen: Im | materialities; Andreas Spiegl: Anatal and Digilogue Photography: Different but Indistinguishable; Danielle Leenaerts: The Modes of Inscription and Appearance of the Still Image in Beat Streuli's Work: Reflections on the Photographic Media; Klaus Honnef: Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper; Caroline Fuchs: Anticipation and Reality. A Re-Evaluation of Autochrome Projection; Amélie Van Liefferinge: Between Art, Science and Education. The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933); Thomas Freiler: The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being; Moritz Neumüller and Andreas Reichinger: From Stereoscopy to Tactile Photography; Monika Schwärzler: The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva; Carl Aigner: Photo Digitality in the Area of Conflict. Between the Material and Immaterial. A Review as a Preview; Jeanna Nikolov-Ramírez: Pictorial Spreading - On Immaterial Forms of Collecting and Sharing Images; Ilka Becker: Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital. - In: Photoresearcher, no. 19, [April] 2013.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 19, [Apr.] 2013. Ed. Ulla Fischer-Westhauser, Uwe Schögl. Guest editor Caroline Fuchs.
The camera as historian: Amateur photographers and historical imagination, 1885-1918.
Mixed Box. The cultural biography of a box of 'ethnographic' photographs. In: Ricerche di Storia dell Arte, 106, 2012.
Ricerche di Storia dell Arte, 106, 2012.
Photography. In: Barnard, A. & Spencer, J. (eds.). The Routledge encyclopedia of social and cultural anthropology.
Tracing photography. In: Ruby, J. & Banks, M., (eds.): Made to be seen: Perspectives on the history of visual anthropology.