PhotoLit - data bank on photographic literature

 
Book# 28785

Maresca, Sylvain

L’introduction de la photographie dans la vie quotidienne. Éléments d’histoire orale. In: Études photographiques. Revue semestrielle, no. 15, Nov. 2004.

Études photographiques. Revue semestrielle; 15. Ed. André Gunthert.
Ort   Paris
Verlag   Société française de Photographie
Jahr   2004
Einband   br.
Medium   Zeitschriftenbeitrag
ISBN / ISSN   1270-9050; 2-911961-15-3

 

Text fr. - Nebeneintrag.
Photographie 20. Jahrh. Theorie und Kritik Soziologie 
Other books with similar tags:
Fotografi och samhälle.
The myth of art photography. A sociological analysis. In: History of Photography.
History of photography. An International Quarterly.
Das Bild und die Wirklichkeit. Aufsätze und Bildnisse, ausgewählt von Theodor Hornberger; Marita Kempe; Luis Demmler.
In viaggio con gli stereotipi: immaginario e concettualità fotografica. In: Fuso, Silvio & Mescola, Sandro: Mariano Fortuny collezionista.
Ausstellungskatalog, Venezia, Palazzo Fortuny, 1983
Photography & society.
The privileged eye. Essays on photography.
Die Rache der Veronika. Aktuelle Perspektiven der zeitgenössischen Fotografie. Die Fotosammlung Lambert.
Ausstellungskatalog, Hamburg, Deichtorhallen, 27.02.-01.06.1998
Tschechische Avantgarde-Fotografie 1918-1948. Birgus, Bonhomme, Dufek, Mlcoch, Srp.
Photographie et société.
Points Histoire.
Martin Munkacsi. Biographical profile by Susan Morgan.
An Aperture Monograph.
Sozialgeschichte der Photographie.
Soziologische Essays. Hg. von Friedrich Fürstenberg und Frank Benseler.
De wereld van Van Gogh. Tekst W. Jos de Gruyter.
Die Welt von Van Gogh. Le monde de Van Gogh. The world of Van Gogh. Photographie Emmy Andriesse. Auteur W. Jos de Gruyter.
De wereld van Van Gogh. Le monde de van Gogh. The world of Van Gogh. Photographie Emmy Andriesse.
Fotodinamismo futurista.
Un'altra lontananza.
Das Kind und sein Vater. Text von Eugen Roth.
Ein terra magica Bildband.
Photography is.
Arte povera, une question d’image. Germano Celant et la répresentation critique de la néo-avant-garde/ Arte Povera, a question of image. Germano Celant and the critical representation of the neo-avant-garde. In: Études photographiques. Revue semestrielle, no. 28.
Études photographiques. Revue semestrielle; Novembre 2011, no. 28. Ed. Thierry Gervais.
Peter Weiermair: Reflections on Materiality in Photographic Production – Looking Back at a Discourse; Hubertus von Amelunxen: Im | materialities; Andreas Spiegl: Anatal and Digilogue Photography: Different but Indistinguishable; Danielle Leenaerts: The Modes of Inscription and Appearance of the Still Image in Beat Streuli's Work: Reflections on the Photographic Media; Klaus Honnef: Illusory Images in the Brain – Fleeting Images in the Net – Captured Images on Paper; Caroline Fuchs: Anticipation and Reality. A Re-Evaluation of Autochrome Projection; Amélie Van Liefferinge: Between Art, Science and Education. The Tradition of Slide Shows at the Belgian Association of Photography (1883–1933); Thomas Freiler: The Vampire and Marilyn – Some Thoughts on a Photographic Concept of Being; Moritz Neumüller and Andreas Reichinger: From Stereoscopy to Tactile Photography; Monika Schwärzler: The Beast – On the Photographic Staging of the Large Hadron Collider at the Nuclear Research Centre in Geneva; Carl Aigner: Photo Digitality in the Area of Conflict. Between the Material and Immaterial. A Review as a Preview; Jeanna Nikolov-Ramírez: Pictorial Spreading - On Immaterial Forms of Collecting and Sharing Images; Ilka Becker: Some Remarks on Material Agency after the Digital Turn and the Photographic Metaphor of the Living Digital. - In: Photoresearcher, no. 19, [April] 2013.
European Society for the History of Photography [ESHPh]. Association Européenne pour l’Histoire de la Photographie. Europäische Gesellschaft für die Geschichte der Photographie.
Photoresearcher; no. 19, [Apr.] 2013. Ed. Ulla Fischer-Westhauser, Uwe Schögl. Guest editor Caroline Fuchs.