PhotoLit - data bank on photographic literature

 
Book# 25387

Felice Antonio Beato.

Ort   Milano
Verlag   Editphoto
Jahr   1978

 

Actually there are two photographers: Antonio Beato, active in Egypt and the Near East, and Felice Beato, especially known for his war photographs of the Indian Mutiny, the opium war in China and colored genre studies of Japan. Both have been mixed up as one until the mid-1980ies (ca.). - Nur Kurztitelaufnahme 06.2003. - Check entry.
Photographie 19. Jahrh. Monographie 
Other books with similar tags:
Alois Löcherer. [Text Hans Christian Adam].
Ausstellungskatalog, Köln, Galerie Rudolf Kicken, 29.11.1980-27.02.1981.
Eugène Atget. Text by Gerry Badger.
Masters of Photography.
A tall tale retold: The influence of the photographs of William Henry Jackson on the passage of the Yellowstone Park Act of 1872.
L’Inde. Photographies de Louis Rousselet 1865-1868. [With contributions by Bernard Marbot, Amina Okada, Sabine du Vignau, Pierre-Lin Renié].
Ausstellungskatalog, Bordeaux, Musée Goupil, Espace d’Aquitaine, 10.02.-12.04.1992 et al.
Alfredo Noack - "inventore" della Riviera / "Erfinder" der Riviera.
Ausstellungskatalog, Genova, Cassa di Risparmio di Genova e Imperia, 1989.
Disciples of light. Photographs in the Brewster album. [Foreword John Walsh].
Berlin.
Gendered territory. Photographs of women by Julia Margaret Cameron. Edited and introduced by Dave Oliphant. [Contents: Lindsay Smith: Further thoughts on “The politics of focus”; Joanne Lukitsh: The Thackeray album: Looking at Julia Margaret Cameron’s gift to her friend Annie Thackeray; Carol Hanbery MacKay: “Soaring between home and heaven“: Julia Margaret Cameron’s visual meditations on the self; Jennifer Pearson Yamashiro: Idylls in conflict: Victorian representations of gender in Julia Margaret Cameron’s illustrations of Tennyson’s “Idylls of the King”; Lori Cavagnaro: Julia Margaret Cameron: Focusing on the orient; Lizabeth A. Straight & Patricia A. Threatt: Julia Margaret Cameron: A catalogue of holdings at the Harry Ransom Humanities Research Center].
The Library Chronicle of the University of Texas at Austin, vol. 26, no. 4.
Nadar. [Text: Philippe Neagu].
I grandi fotografi*. Ed. Romeo Martinez & Bryn Campbell.
Mr. Bristol’s barn: With excerpts of Mr. Blinn’s diary. Edited and with photographs by John Szarkowski.
The human figure in motion. A source book of sequential action images by a master photographer. [Foreword B. L. H. Masterson].
De wereld van Van Gogh. Tekst W. Jos de Gruyter.
Die Welt von Van Gogh. Le monde de Van Gogh. The world of Van Gogh. Photographie Emmy Andriesse. Auteur W. Jos de Gruyter.
De wereld van Van Gogh. Le monde de van Gogh. The world of Van Gogh. Photographie Emmy Andriesse.
Burton Holmes. Reiseberichte. [Travelogues].
The old order and the new. P. H. Emerson and Photography 1885-1895. [Foreword Russell Roberts. Introduction Stephen Hyde. Text John Taylor, Philippa Wright].
Ausstellungskatalog, Bradford, National Museum of Photography, Film and Television, 13.10.2006- 04.02.2007; Los Angeles, CA, J. Paul Getty Museum, 27.03.-08.07.2007.
Life and landscape on the Norfolk Broads.
The inclusive map of John Shaw Smith’s photographic tour (1850-1852). In: Visual Resources, vol. XVI (2000).
Visual Resources, vol. 16 [XVI], 2000.
Helios: Eadweard Muybridge in a Time of Change. [Text Philip Brookman, Rebecca Solnit, Marta Braun, Corey Keller].
Ausstellungskatalog, Washington, DC, Corcoran Gallery of Art, 10.04.-18.07.2010; London, Tate Britain, 08.09.2010-16.01.2011; San Francisco, San Francisco Museum of Modern Art, 26.02.-07.06.2011.
The savage sea. Photographs by the Gibsons of Scilly.