PhotoLit - data bank on photographic literature

 
Book# 24098

Elliot, Andrew

Calotypes by D. O. Hill and R. Adamson. Illustrating an early stage in the development of photography. Selected from his collection by Andrew Elliot. [Preface by John M. Gray].

Ort   Edinburgh
Verlag   Printed for Private Circulation
Jahr   1928
Auflage   38 copies
Einband   cb.
Illustration, Ausstattung   47 carbon prints
Medium   Buch

 

Carbon prints by Thomas Annan. - See Schaaf 2002 (Sun pictures; 11), p. 76.
Photographie 19. Jahrh. Monographie Hill, David Octavius Adamson, Robert Calotype, Kalotypie England, Scotland Gray, John M. 
Other books with similar tags:
The Robert O. Dougan Collection of historical photographs and photographic literature at Princeton.
Ausstellungskatalog, Princeton, The Art Museum, Princeton University, 06.02.-27.03.1983.
A centenary exhibition of the work of David Octavius Hill, 1802-1870 and Robert Adamson, 1821-1848.
Ausstellungslatalog (Wanderausstellung), The Scottish Arts Council, 02.05.1970-08.5.1971.
David Octavius Hill 1802-1870. Robert Adamson 1821-1848. [Essay Katherine Michaelson].
Hill & Adamson’s “The fishermen and women of the Firth of Forth”.
Ausstellungskatalog, Edinburgh, Scottish National Portrait Gallery, 21.11.1991-18.01.1992.
Masterpiece: Treasures from the collection of the Royal Photographic Society. Arts Concil 1971-72. [Text Margaret Harker, Norbert Lynton].
Ausstellungskatalog (Wanderausstellung), The Royal Photographic Society (RPS).
An early Victorian album. The Hill / Adamson collection.
Masters of photography. Edited and with an introduction by Beaumont and Nancy Newhall.
An early Victorian album. The photographic masterpieces (1843-1847) of David Octavius Hill and Robert Adamson. With an interpretive essay by Roy Strong.
Sun pictures. The Hill-Adamson calotypes.
Hill & Adamson photographs. Introduction by Marina Henderson.
The Hill/Adamson albums. A selection of early Victorian photographs acquired by the National Portrait Gallery in January 1973. [Text: Roy Strong, Colin Ford].
Stevenson, Sara; David Octavius Hill and Robert Adamson. Catalogue of their Calotypes taken between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery, Edinburgh 1981. In: Fotogeschichte (Frankfurt am Main), Jg. 1 (1981), H. 3, S. 72
Fotogeschichte. Beiträge zur Geschichte und Ästhetik der Fotografie. Hg. Timm Starl.
Relative chronology of 135 Newhaven fisherfolk photographs by D. O. Hill and Robert Adamson. In: Hallett, Michael (ed.): Rewriting photographic history. A one day conference to celebrate the 150th anniversary of the first public announcement of the invention of photography 1839-1989.
Konferenzbericht, Birmingham, Birmingham Polytechnic, 29.09.1989.
St. Andrews and early Scottish photography including Hill & Adamson. Text by Larry J. Schaaf.
Ausstellungskatalog, New York, Hans P. Kraus, Jr., Inc., 21.10.-15.11.2002.
Sun Pictures; catalogue eleven (11).
The Harold White Collection of historical photographs from the circle of Talbot. [Research and text by Larry J. Schaaf]. Sun Pictures catalogue four. Hans P. Kraus, Jr. Fine Photographs, New York.
Ausstellungskatalog, New York, Hans P. Kraus, Jr. Inc., 1987.
Sun Pictures; catalogue four (4).
Hill and Adamsons’s photographs of Linlithgow.
Sun pictures. The Hill-Adamson calotypes.
Fifty British colotypes.
Verkaufskatalog, Lindfield, Sussex, Robert Hershkowitz, s. a. [ca. 2008].
Freunschaft und Zuneigung. Der Schlüssel zum Naturell/ Friedship and affection - the keys to nature. David Octavius Hill and Robert Adamson. In: Dewitz, Bodo von (Hg.): La Bohème.
Ausstellungskatalog, Köln, Museum Ludwig, 2010.
Time and memory in William Henry Fox Talbot's calotypes of Oxford and David Octavius Hill and Robert Adamson's of St Andrews. In: Baetens, Jan; Streitberger, Alexander & Gelder, Hilde Van (eds.): Time and photography.
Lieven Gevaert Series.