PhotoLit - data bank on photographic literature

 
Book# 15362

Alison, Jane (ed.)

Native nations. Journeys in American photography.

Ausstellungskatalog, London, Barbican Art Gallery, 10.09.1998-10.01.1999.
Ort   London
Verlag   Barbican Art Gallery/ Booth-Clibborn Editions
Jahr   1998
Einband   cb. in dustjacket
Illustration, Ausstattung   ill.
Medium   Katalog
ISBN / ISSN   1-86154-073-6
  @Amazon

 

Enthält Einzelbeiträge, die hier nicht aufgelistet sind. - Enthält Biographien.
29.95 £. - Cat. Fred and Elizabeth Pajerski no. 62. New York 12.2001: 40.00 $.
Photographie 20. Jahrh. USA Anthologie 19. Jahrh. Hillers, John K. Curtis, Edward Sheriff Ethnographie, Indianer Edwards, Elizabeth Capture, George P. Horse Harlan, Theresa McNeil, Larry Marmon, Lee Poolaw, Horace Rickard, Jolene Tsinhnahjinnie, Hulleah Fleming, Paula Richardson Gidley, Mick Taylor, Colin Guidi, Cestelli Benedetti Cobb, Jennie Ross Throssel, Richard Aguilar, Dugan Niro, Shelley Shields, Pamela 
Other books with similar tags:
Edward S. Curtis. The life and times of a shadow catcher. By Barbara A. Davis. An appreciation by Beaumot Newhall. Foreword by Bill Holm.
Native nations. First Americans as seen by Edward S. Curtis. Foreword by George P. Horse Capture. Produced by Callaway editions.
Edward S. Curtis.
Strong hearts: Native American visions and voices; Ghost in the machine, by Paul Chaart Smith; The photography of Horace Poolaw, by N. Scott Momaday; Creating a visual history: A question of ownership, by Theresa Harlan; Social identity: A view from within, by Zig Jackson; I’ve always wanted to be an American Indian, by James Luna; Shooting back from the reservation; Sovereignty: A line in the sand, by Jolene Rickard; An essay on rocks, by Leslie Marmon Silko; Carry, by Linda Hogan; Raisin eyes, by Luci Tapahonso; The feather series, by Larry McNeil; Kake is the place of no rest, it is, by Robert Davis; The Tlingit national anthem, by Robert Willard, jr.; The land is our mother, by Nancy Ackerman; Plea to those who matter, by James Welch; The original people; Strong hearts, by Jeffrey M. Thomas; In 1864, by Luce Tapahonso; Contributors’ notes and credits. Photographs by Nancy Ackerman, Walter Bigbee, Ken Blackbird, Ron Carraher, Pamela Shields Carroll, Joseph Concha, Jesse Cooday, Patricia Deadman, Monica Godoy, John C. H. Grabill, Jeremy Huesers, Zig Jackson, April Jiron, Rose Jones, Ronald Lewis, Jr., Carm Little Turtle, George Longfish, James Luna, Lee Marmon, Larry McNeil, David Neel, Bethany Nez, Hocace Poolaw, Winnie Poolaw, Jolene Rickard, Monty Roessel, Leslie Marmon Silko, Greg Staats, John Stands Maggie Steber, Jeffrey M. Thomas, Hulleah Tsinhnahjinnie, Schyle Vaughn, Richard Ray Whitman. In: Aperture no. 139, summer 1995.
Aperture; 139.
Die Rache der Veronika. Aktuelle Perspektiven der zeitgenössischen Fotografie. Die Fotosammlung Lambert.
Ausstellungskatalog, Hamburg, Deichtorhallen, 27.02.-01.06.1998
Shadow Catcher. The Life and work of Edward S. Curtis.
Tschechische Avantgarde-Fotografie 1918-1948. Birgus, Bonhomme, Dufek, Mlcoch, Srp.
The west. An American experience. With commentary by David R. Philipps and Robert A. Weinstein and afterword by Robert G. Athearn.
Dear friends. American photographs of men together, 1840-1918.
Eine “aussterbende Rasse” vor der Kamera. Die Entwicklung der Indianerfotografie in Nordamerika. In: Indianer 1858-1928. Photographische Reisen von Alaska bis Feuerland. Katalog zur gleichnamigen Ausstellung [...].
Ausstellungskatalog, Hamburg, Museum für Völkerkunde, 18.04.2002-15.06.2003.
American stereographs. A selection from private collections. June 4 - June 28, 1980, Grey Art Gallery and Study Center, New York University. [Acknowledgements Robert R. Littman. Text Sam Wagstaff].
Ausstellungskatalog, New York, Grey Art Gallery and Study Center, New York University, 04.-28.06.1980.
The North American Indian. Fotografien von Edward Sheriff Curtis. Virtuelle Fotoausstellung der Niedersächsischen Staats- und Universitätsbibliothek Göttingen. [Konzeption der CD-ROM: Tobias Möller. Text: Hans Christian Adam, Joachim Migl, Tobias Möller. Digitalisierung der Exponate: Martin Liebetruth].
Ausstellungskatalog, Göttingen, Niedersächsische Staats- und Universitätsbibliothek, Paulinerkirche, 2004.
American documentary styles. In: Weaver, Mike (ed.): The art of photography, 1839-1989.
Ausstellungskatalog, Houston, Museum of Fine Arts, 11.02.-30.04.1989; Canberra, Australian National Gallery, 17.06.-27.08.1989; London, Royal Academy of Arts, 23.09.-23.12.1989.
Ansel Adams and the photographers of the American West.
Edward Sheriff Curtis: Visions of the first Americans.
The art of the American snapshots 1888–1978. From the Collection of Robert E. Jackson. Sarah Greenough and Diane Waggoner with Sarah Kennel and Matthew S. Witkovsky.
Ausstellungkatalog, Washington, DC, National Gallery of Art, 07.10.-31.12.2007; Fort Worth, TX, Amon Carter Museum, 16.02.-27.04.2008.
Native land native people from the Edward S. Curtis Collection.
Native Americans. Die Indianer Nordamerikas. Les indiens d’Amérique du Nord. Edward S. Curtis.
Taschen Icons.
Das Kind und sein Vater. Text von Eugen Roth.
Ein terra magica Bildband.
Wer ist wem überlegen? Stolz und Vorurteil und der Atem des Indianers. Wolfgang Büscher über eine Fotografie von Edward Sheriff Curtis. In: Grisebach. Kunst, Mensch, Werte. Das Journal. Erste Ausgabe, Herbst 2011.
Grisebach. Kunst, Mensch, Werte. Das Journal.