Page 1 of 2, showing 20 record(s) out of 21 total
Ostfildern-Ruit
Hatje Cantz Verlag
2007
ill.
Buch
3-7757-1640-8
@Amazon
Nur Kurztitelaufnahme 06.2007.
Ausstellungskatalog, Bregenz, Kunsthaus Bregenz, 2002; et al.
Bregenz/ Köln
Kunsthaus Bregenz/ Verlag der Buchhandlung Walther König
2002
First edition
120 p.
cb., with photographically illustrated vellum-like translucent dust jacket and photographically illustrated endpapers
with 13 four-color, 5 duotone and 27 tritone plates, and additional color and b/w reference illustrations
Katalog
388375563X
@Amazon
Text dt. - „Hiroshi Sugimoto arbeitet in faszinierenden Serien und auch seine Architekturfotografien, die zwischen 1997 und 2002 entstanden sind, bilden eine Serie und lassen sich unter einem durchgängigen Konzept zusammenfassen. Die klassische Architekturfotografie strebt an, ihre Objekte mit durchgehender Schärfe abzubilden, Sugimoto entschied sich bei seinen Aufnahmen für eine gleichbleibende Unschärfe. Der erste Blick auf die Fotografien löst den Reflex aus, dass man eine Brille aufsetzen oder genauer hinsehen möchte, aber man merkt schnell, dass dies garnicht notwendig ist, weil einem die Bilder dennoch seltsam vertraut vorkommen. Dazu muss gesagt werden, dass Sugimoto überwiegend weltbekannte Architektur aufgenommen hat, angefangen von der Brooklyn Bridge und dem Eiffelturm über das Empire State Building bis zu Le Corbusiers "Chapel de Notre Dame du Haut" oder Gehrys Guggenheim Museum in Bilbao. Durch das Fehlen der Details und umgebender Bauten und durch die bewusste Auschnittswahl Sugimotos werden die Bauwerke auf ihre originäre Essenz reduziert. Trotzdem wird meistens sofort klar, um welches Gebäude es sich handelt und dies zeigt wiederum, welch starke Präsenz im kollektiven Bewusstsein diese herausragenden Werke der Architektur mittlerweile eingenommen haben.“ (Buchh. Lindemann Stuttgart 2007). - Published on the occasion of the 2001 exhibition at the Kunsthaus Bregenz, Austria. Includes a biography, exhibition history, bibliography and list of exhibited works. -Beautifully printed on heavy fine matt art paper by PrintNetwork, Lage. - From the publisher: "Hiroshi Sugimoto's images make us blink. Whether he is condensing the light of a feature length movie into a solid white rectangle, expanding the split second of a wave into an eternally still form, or blurring the sharp lines of a modernist structure into a soft, imaginary shape, Sugimoto's photographs demand to be gazed at again and again, blink after blink, allowing our eyes to recover from the experience of viewing more time and space than they know how to absorb in one look. The ongoing Seascapes, a series begun in 1980, at first seems to be repetitions of the same image with only the slightest of sharply detailed variations, but in fact is pictures of bodies of water the world over: the Japanese, Ligurian, Irish, and Baltic Seas, and Lake Superior. Perhaps the least changing scenes on earth, the oldest visions that we can share with our ancestors, the seas embody an eternal concept of time perfectly jarred by the fast exposures Sugimoto shoots them with. Architectures, begun in 1997, attempts to recreate the imaginative visions of works of modernist architecture before the architect built the building. The details disappear in the images' lack of focus; what remains is a strong vision in black and white. Most recently, Sugimoto has turned his camera on Japanese art tradition, using as his source material a famous ink drawing of a pine tree landscape by 16th-century artist Tohaku Hasegawa. The 14-meter-long, scroll-like photographic panel that resulted was used as the backdrop for a Noh performance at the Dia Center for the Arts, New York, in the summer of 2001." (Antiq. Borelli, Albuquerque, NM).
Ostfildern-Ruit
Hatje Cantz
2005
384 p.
cb. in dustjacket
39 color, 167 tritone ill.
Buch
3-7757-1640-8; 978-3-7757-1934-6
Text engl. - Andere Ausgabe: 2007 (Ausstellungskatalog, Düsseldorf, 2007). - The entire oeuvre of the great master of calm, whose works are characterized by matchless clarity and presence, in an exquisite monograph. - „Die grandiosen photographischen Serien von Hiroshi Sugimoto (*1948 in Tokio) beeindrucken durch ihre unübertreffliche Klarheit und Präsenz. Stets erreichen seine Werke eine auf die reine Essenz reduzierte, absolute Verkörperung des gewählten Bildmotivs. Die exquisite Monographie versammelt erstmals ausgewählte Arbeiten aus allen bisherigen Serien des Meisterphotographen, darunter natürlich auch seine bekanntesten: Sugimotos enigmatische Porträts von Wachsfiguren scheinen uns den lebenden Personen gegenüber treten zu lassen; die extrem lang belichteten Theaters überhöhen weiß leuchtende Kinoleinwände zu magischen Altarbildern; und mit den faszinierenden Dioramas – Photos von naturwissenschaftlichen Schaukästen – ermöglicht uns der Zauberkünstler, weit in die Vergangenheit zu reisen und Frühmenschen oder gar vor Jahrmillionen ausgestorbene Tierarten zu beobachten. Eines der schönsten Photobücher der vergangenen Jahre in hervorragender Druckqualität!“ (DGPh Intern 3.2007).
Ausstellungskatalog, Göteborg, Hasselblad Center, 2001.
Göteborg
Hasselblad Center
2001
First edition
46 p.
Photographically illustrated stiff wrappers (published only in wraps)
with 21 tritone plates
Katalog
9163115883
@Amazon
„Photographs by Hiroshi Sugimoto. Includes a biography, exhibition history and bibliography. Includes a selection of photographs of wax museums (series I and II), interior theaters, drive-in theaters, dioramas, day seascapes and night seascapes. Beautifully printed by Rolf & Co. Tryckeri, Sweden from separations made by Robert J. Hennessey.“ (Antiq. Borelli, Albuquerque, NM, 04.2005).
New York, NY
Guggenheim Museum Publications
2000
First engl. edition, first printing, 5000 cb. copies
170 p.
cb. with dust jacket.
with numerous illustrations including 75 plates reproduced in tritone (with two 2-page gatefolds),
Buch
0810969289
@Amazon
Text engl. - Other ed.: Dt. Ausgabe. - The reproductions by Robert J. Hennessey are absolutely exquisite. Incl. exhibition history and bibliography. Published on the occasion of an exhibition of commissioned work at the Deutsche Guggenheim Berlin (traveled to the Guggenheim Museum Bilbao, The San Francisco Museum of Modern Art, and the Guggenheim Museum in New York). - From the publisher: "[Sugimoto's] new series presents life-size, b/w portraits of historical figures - Henry VIII and each of his wives, Voltaire, Benjamin Franklin, Oscar Wilde, and Emperor Hiroshito, among others - photographed in wax museums, isolated against black backgrounds, and dramatically lit so as to create haunting Rembrandtesque images."
New York, NY
Sonnabend Sundell Editions
2000
first edition
silver-stamped paper covered boards; silver slipcase
color photographs
Buch
Text engl. - Illustrated with reproductions of Sugimoto's photographs of movie theaters. - Nur Kurztitelaufnahme 06.2006.
Ausstellungskatalog, Düsseldorf, 2007.
Ostfildern
2007
394 S.
OLw.
mit 167 Schwarzweißfotografien in Triton sowie 69 Farbfotos
Katalog
Text dt. - Hier sind zum Beispiel auch die bestechend klaren Porträts von Wachsfiguren zu finden oder die Skulpturen, die als Materialisierung mathematischer Formeln entstanden sind. Sugimoto behandelt immer sehr komplexe Themen, reduziert seine Fotografien dabei aber auf die wesentlichen Punkte, mehr noch - auf den wesentlichen Punkt. - Nur Kurztitelaufnahme 12.2007.
s. l. [Bologna/ New York]
Damiani/ Matsumoto Publishers
2014
118 p.
cb. in ill. dustjacket
bw photographs
Buch
978-88-6208-327-0
@Amazon
Text engl.
Ausstellungskatalog, Los Angeles, Museum of Contemporary Art, 1993.
?/ Los Angeles, CA
Fotofolio/ Museum of Contemporary Art
1999
s. p.
hc.
ill.
Katalog, Buch
Erstausgabe 1993. - Nur Kurztitelaufnahme 04.2004. - [Text at Schaden.com:] Sugimotos legendärer Seascape-Katalog, 1993 im Auftrag des Museum of Contemporary Art in L.A. erschienen und längst vergriffen, ist von Fotofolio wieder aufgelegt worden. Mehr denn je hypnotisieren die s/w-Aufnahmen mit fernöstlich anmutender konzeptioneller Strenge. Sehschule, Droge und zweifellos der Reprint des Jahres!
Ausstellungskatalog, Madrid, Fundación "la Caixa"; Lisboa, Centro Cultural de Belém, 1998.
Madrid/ Lisboa
Fundación "la Caixa"/ Centro Cultural de Belém
1998
First edition
206 p.
photographically illustrated laminated stiff wrappers with French folds (published only in wraps)
with 70 b/w plates
Katalog
8476646151
@Amazon
Text engl., port. - Includes an interview with Hiroshi Sugimoto by Helena Tatay Huici, an exhibition history, bibliography and exhibition checklist. The reproductions are absolutely exquisite. Includes an exceptional collection of Sugimoto’s dioramas, wax museums, theaters, drive-ins, day seascapes, night seascapes and a selection of images from the artist’s work Hall of Thirty-Three Bays. One of the finest catalogues of Sugimoto’s work published to-date, with a broad selection of all the series that have informed Sugimoto’s work since 1976 (some previously unpublished, particularly the diorama series). (Antiq. Borelli, Albuquerque, NM, 04.2005).
Ausstellungskatalog, Charlotte, North Carolina, The Light Factory Photographic Arts center, 9.9.-8.10.1994; Kansas City, Missouri, The Kemper Museum of Contemporary Art & design, Kansas City Art Institute, 18.12.1994-28.2.1995
Charlotte
The Light Factory Photographic Arts Center
1994
59 S.
pb.
ill.
Buch, Katalog
0-9642772-0-4
@Amazon
Ausstellungskatalog, Basel, Kunsthalle, 1995.
Stuttgart
Edition Hansjörg Mayer
1995
112 S.
OLw.
Katalog
Nur Kurztitelaufnahme 07.2002.
Chicago/ New York
MCA / D.A.P.
2002
120 p.
cb.
34 teils farb. Abb.
Katalog
Text dt. - Andere Ausgabe: Köln: Verlag der Buchhandlung Walther König 2002 (Ausstellungskatalog Kunsthaus Bregenz). - Einem breiten Publikum bekannt geworden ist Hiroshi Sugimoto (geboren 1948 in Tokyo und heute in New York lebend) vor allem durch seine minimalistischen Schwarzweiß-Fotografien von flachen Meereshorizonten. Neben zahlreichen Werken dieser »Seascapes« zeigt das luxuriös ausgestattete, großformatige Buch, für dessen Auswahl und Gestaltung der Künstler selbst verantwortlich ist, auf eigens angefertigtem Naturpapier die Serie »Architectures«, an der er seit 1997 arbeitet. Er konzentriert sich hier auf die Ikonen der modernen Architektur, wie den Einstein-Turm oder das Guggenheim Museum Bilbao, und fotografiert diese als stark silhouettierte schwarzweiße Körper in der Nahaufnahme. Wie von überirdischer Strahlung geschaffen wirken diese Gebäude, die befreit sind von störenden Details, um, so Sugimoto »die imaginativen Visionen der Architektur wiederzubeleben, die existieren, bevor der Architekt das Gebäude realisiert hat.« Erstmals sind hier Fotos der Serie »Pinetrees«, schemenhafte Umrisse von Kiefernwäldern, die an die Tradition japanischer Malerei anknüpfen, veröffentlicht. Texte des Künstlers sowie der Kunsthistoriker (und Museumsdirektoren) Kellein und Schneider ergänzen den Band. - Nur Kurztitelaufnahme 04.2004.
New York, NY/ London
Sonnabend Sundell Editions/ Eyestorm
2000
First edition, first and only printing, limited edition (with a signed, hand-pulled photogravure print) of 1000 copies
224 p.
hb., slip-cased
96 quadratone plates
0615115969
@Amazon
Photographs from the 'Theaters' series (including movie theaters and drive-in theaters) and a statement by Hiroshi Sugimoto. Essay by Professor Hans Belting. Designed by Takaaki Matsumoto and Larissa Nowicki of Matsumoto Incorporated, New York. Also includes an exhibition history, bibliography and index. All images were scanned and separated using quadratone separation, by Robert J. Hennessey. All plate sections were beautifully printed using drytrap offset printing on Mohawk Superfine Smooth Eggshell 100lb paper, by Meridian Printing. The cover was silk-screened with Day-Glo ink and then matte film laminated. The book was Smythsewn bound and is enclosed in a specially designed brushed aluminum slipcase. The design and reproductions are absolutely exquisite; one of the most beautiful photography books. This deluxe limited edition is accompanied by a limited edition of Hiroshi Sugimoto's 'U.A. Walker, New York, 1978' photograph, scrupulously reproduced in hand-pulled photogravure by the renowned printer Jon Goodman. The prints were signed by Sugimoto (the book is not numbered or signed), and are cased in a custom-made, piano hinged, brushed aluminum box (the edition number is hand-written on a printed paper paste-down sheet affixed inside the upper aluminum case cover). The image (approx. 11 1/2 by 17 1/2 inches) was printed on acid-free BFA paper (21 1/2 by 17 1/2 inches). From the publisher: " This book is the first-ever [major] collection of Hiroshi Sugimoto's 'Theater' photographs. To create each image, Sugimoto would take a long-exposure photograph of a cinema screen for the entire duration of a movie, resulting in a blank white screen. 'Different movies give different brightnesses,' he said. 'If it's an optimistic story, I usually end up with a bright screen; if it's a sad story, it's a dark screen. Occult movie? Very dark.' The project was partly the result of wanting to make a simple form visible: 'The simplest forms have authority, like a blank white light. And how do you photograph that? You need a framework to make it visible. But this is not simply white light; it is the result of too much information.'" (Antiq. Borelli, Albuquerque, NM).
Milano/ Locarno
Skira editore/ Galleria SPSAS
1995
First edition, first printing
s. p.
sb., illustrated stiff wrappers
30 b/w plates
Buch
8881180251
@Amazon
Text engl.- Features a selection of Hiroshi Sugimoto's 'Theater' photographs (including movie theaters and drive-in theaters). Includes an exhibition history and bibliography. Published on the occasion of the 1995 exhibition Motion Picture at the Galleria SPSAS, Locarno.
Kitakyushu
Center for Contemporary Art, CCA Kitakyushu and Korinsha Press & Co., Ltd.
1999
first edition, ca. 800 copies
spiralbound, iIllustrated fine matt paper-covered boards, in a matt black stiff paper slipcase with silver lettering
Buch
4771334145
@Amazon
Photographs by Hiroshi Sugimoto of flames of a burning candle. Front cover also shown a color image of a burning candle. This beautiful artist's book was printed by Korinsha Press & Co., Ltd., and is part of CCA Artists' Book series, conceived by Nobuo Nakamura and Akiko Miyake. This edition was limited to about 800 unnumbered copies. Unnumbered with 20 b/w plates reproduced on acetate (with white cards in between acetate reproductions), and a two-page gatefold four-color reproduction of a photograph of the exhibition installation.
Ausstellungskatalog, Bregenz, Kunsthaus; New York, Dia Center for the Arts, 2001.
New York, NY/ Tokyo
Hiroshi Sugimoto (self-published), in association with Gallery Koyanagi, Tokyo
2001
First edition, first and only printing. Limited edition.
56 p.
hb. leporello
with 5 b&w plates (printed on 16 pp.).
Buch, Katalog
Published on the occasion of the exhibition Noh Such Thing as Time by Hiroshi Sugimoto at the Kunsthaus Bregenz, Austria and the Dia Center for the Arts, New York. Limited edition of less than 1000 unnumbered copies printed.This special edition artist's book was designed by Hiroshi Sugimoto. Photographs by Hiroshi Sugimoto. The 56 total folded panels are attached to two photographically illustrated paper-covered boards, and housed in a white cardboard slipcase with black printed title. 25 of the 56 panels are printed text, an old Japanese story "Yashima" (in English and Japanese), printed in letterpress. 16 panels contain a total 5 b/w plates, beautifully printed on fine heavy stock matt art paper by Dai Nippon Printing Company, Ltd., Tokyo. The images include recent panoramic photographs of a pine tree garden in Tokyo ('Pine Tree Landscape, 2001'), one day seascape ('Yashima, 2001') and two photographs of burning candles (from the series 'In Praise of Shadows, 1999)'. The printed covers are full-bleed details of the pine tree images.
New York, NY
Guggenheim Museum Publications
2000
170 p.
sc.
with numerous illustrations including 75 plates reproduced in tritone (with two 2-page gatefolds),
Buch, Katalog
0-89207-228-8
@Amazon
Text dt. - Other ed.: Engl. ed.
Page 1 of 2, showing 20 record(s) out of 21 total